There is no strobe lighting in Tommy Wirkola’s sci-fi film, which debuts soon on Netflix, but epileptics triggered by rhythmic, dazzling flashes of blinding stupidity should consider themselves warned away from “What Happened to Monday.” Max Botkin’s original script for this preposterous dystopian tale landed on the 2010 Black List, underwent a gender swap, a title change and a rewrite by Kerry Williamson, to end up so rife with plot holes it feels macraméed rather than written.
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